In 2003 Nexus was able to commission a new work from the distinguished Canadian composer Christos Hatzis through a grant from the Laidlaw Foundation. We premiered his piece Four Rituals for Percussion Quintet, Chorus and Audience in December, 2004 on the Faculty Artists Series at the University of Toronto. The piece is in four movements:… Read more »
In February, 2004 Frank Epstein invited me to be a soloist on the New England Conservatory Percussion Ensemble’s “Rendezvous in Rhythm” concert. Along with Mudra and three of my xylophone medley arrangements I played my piece Palta in the revised version for tabla solo with 6 percussion players, piano and electric bass. Also on the… Read more »
1980 SYMPHONY POPS and ERICH KUNZEL We were developing repertoire for symphonic pops concerts mostly centered around orchestrations of the novelty ragtime music that Bob Becker and @BillCahn had arranged. John Wyre’s and Bill’s orchestra positions in Toronto and Rochester connected them with Erich Kunzel who was becoming a leading pops conductor in North America…. Read more »
1979 LAYING GROUNDWORK At least 2 personal projects in 1979 laid groundwork for the future. Bill and Garry tried a couple new directions. During the 1970s while rummaging for xylophone music, Bill had found several large boxes of sheet music in a Rochester antique shop. The hundreds of titles had been published in the early… Read more »
1977: FIRST NEXUS COMMISSION Bob Becker tells us that “The first piece commissioned by NEXUS came from the Canadian composer Bruce Mather in 1977. (We would premiere it in April ’78.) At that time, Bruce’s music was known only vaguely by most of us, but Robin Engelman had become an admirer. He made the commission… Read more »
1975: DIFFERENT MUSIC We continued performing our George Hamilton Green ragtime arrangements. Bob Becker was totally smitten, and says, “I was tracking down all of it”. For two appearances, we played rags and also our improvisation at the famous (or infamous) Bohemian Embassy coffeehouse in Toronto which (thanks to founder and long time CBC performer… Read more »
For your enjoyment, the NEXUS performance of “Bolero – Spanish Dance No.5“ is now on YouTube! You can access it HERE. “Bolero – Spanish Dance No. 5” by Moritz Moszkowski, performed by NEXUS with the Rochester Philharmonic Orchestra in 1992 on “The Story of Percussion in the Orchestra” (NEXUS CD#10306). Featuring Bob Becker on xylophone…. Read more »
In the early days of Nexus, our concerts were totally improvised featuring many non-Western percussion instruments that we collected. John Wyre was an influence on all of us as he brought instruments from his travels to Asia to our improv sessions. I began scouring antique stores, import shops, and yard sales and discovered a few… Read more »
1973: EXPANSION We were performing “our own unique brand of improvised music”, says Bill, with the “simple desire to expand our own musicianship…There was absolutely no thought given to marketing – there was no market!” 1973 took us to the CBC Winnipeg Festival and also brought us our first foray into film music for Canadian… Read more »
GUESS WHAT! NEXUS is celebrating its 50th season! To celebrate, over the coming year we’re going to bring you snapshots of each year in our career. We have been posting weekly on our Facebook and Instagram feeds: Fifty years, fifty weeks! Every now and then, we will amalgamate the latest posts and place them here… Read more »
We are delighted to announce that NEXUS member Garry Kvistad will be inducted into the Percussion Hall of Fame this autumn, along with Ndugu Chancler and Neil Peart. Garry joined Nexus Percussion in the Fall of 2002 and is one of 18 musicians to win a Grammy award for the 1998 recording of Steve Reich’s… Read more »
NEXUS with the TorQ Percussion Quartet with Special Guest vocalists Lindsay Kesselman and Cory Knight
I’ve known from a young age that good sounds are healing, and I’ve made the study of music and sounds my life’s work. I have had a few “sound” mentors who have helped open my ears. Among them were Pauline Oliveros, John Cage, Harry Partch and Lou Harrison. Pauline taught us “Deep Listening,” whereby you… Read more »
I have known Alan and Janet Abel for sixty-four years and every one of those years has been a blessing. Like so many others, I feel like they are my “second parents,” so the loss of Mr. Abel is much like losing a member of my own family. This story is a small tribute to… Read more »
In 1960, I was a student in the tenth grade at Putnam City High School in Oklahoma City, Oklahoma. My English teacher, Mrs. Thomas, gave our class an assignment to research the occupation that each of us hoped to pursue and write an essay about it. She gave us a list of questions to use… Read more »
