In April, 2023 I received an email from the Canadian conductor Jordan de Souza asking for some advice about the cymbal part in Debussy’s La mer. Jordan’s questions and my reply are below. Dear Bob, I’m a young Canadian conductor working mostly in Europe. I’m studying La mer for concerts in Dortmund… Read more »
Several weeks ago I received a request to answer a series of questions about my composition Mudra. The questions were answered in April, 2023. My name is Jack Johnson and I am a grad student at Kansas State University working towards my master’s in percussion performance. I recently performed Mudra on my recital and… Read more »
Morton Feldman had this to say about Jo Kondo: “Jo Kondo…fell madly in love with the cowbells, and uses them very hauntingly and very rightly in his piece which gives the music a lot of distinction. I have no rapport with a cowbell so it’s very, very interesting.” In 1996 Robin Engelman made the acquaintance… Read more »
In 1989 Nexus was chosen to be a recipient of the prestigious Toronto Arts Award. It was an honour that included a cash bursary, as well as a professional photo shoot meant to provide high quality PR material for the group. The Arts Council selected Toronto photographer Doug Forster for the job, and he… Read more »
In 1976, at the invitation of composer Toru Takemitsu, Nexus made its first tour to Japan. A major event was our appearance on the Music Today Festival in Tokyo, for which Takemitsu had commissioned a new work from the brilliant young composer Jo Kondo (b. 1947). JK wrote a four-movement quintet titled Under the Umbrella,… Read more »
This year (2022) Keyboard Percussion Publications released two more of my compositions: Water Lilies, composed in 2012; and To Immortal Bloom, composed in 2017. Information about the works and how to order them can be found on the MostlyMarimba website here: https://www.mostlymarimba.com/product/water-lilies/ https://www.mostlymarimba.com/product/to-immortal-bloom-by-bob-becker/ Water Lilies is an eleven-minute quintet, scored for piano, marimba, vibraphone, glockenspiel,… Read more »
In 1993 The Esprit Orchestra commissioned the distinguished Canadian composer Bruce Mather to write a concerto to feature the five members of NEXUS (Bob Becker, Bill Cahn, Robin Engelman, Russ Hartenberger and John Wyre). Mather’s piece, Tallbrem Variations, was completed in 1994 and premiered by NEXUS and Esprit (Alex Pauk conducting) on March 29, 1996… Read more »
In the early days of NEXUS many of our “instruments” were various found objects – things not originally designed to be used in musical contexts. At that time I particularly enjoyed browsing for unusual-sounding implements in hardware stores and kitchenware departments. During the 1970s many common household items were still manufactured using quite high-quality materials…. Read more »
In July, 2021 I received an additional series of questions from percussionist Lan KaiPo regarding my composition Never in Word, as well as some general questions about my compositional method. LKP is currently continuing research for his doctoral dissertation “An Analysis and Performance Guide of Bob Becker’s Never in Word” at James Madison University. His… Read more »
In June 2016 NEXUS performed a concert in the lovely seaside town of Rockport, MA. On the morning of the event, as we were having breakfast, someone mentioned a duck race was in progress right there in Rockport. I was intrigued, and also disappointed that I didn’t know about it earlier, as I would have… Read more »
In October 2020 percussionist Jonny Smith asked me a series of questions regarding my experience with the music of Steve Reich, and my relationship with his ensemble. Jonny interviewed other members of Reich’s ensemble as well, and wrote a paper: “Relationship and Community in the Creative Process: The Steve Reich and Musicians Ensemble”, which is… Read more »
In January 2021 percussionist Antti Ohenoja asked if I would answer a series of questions about drum rudiments from members of the N.A.R.D. in Finland. The original National Association of Rudimental Drummers was organized in the United States in 1933, and was responsible for choosing the “thirteen essential rudiments” still taught and practiced today. I… Read more »
In February 2020, just before live concert music disappeared due to COVID, I was able to present two concerts of my vocal chamber music in Toronto. The first, on February 4th, was part of the Canadian Opera Company’s Vocal/Chamber Music Series in the Richard Bradshaw Amphitheatre; and the second, on February 6th, was included in… Read more »
In June, 2020 I received a series of questions from SGM Mark Reilly, rudimental champion, composer and Corps Sergeant Major of the U.S. Army Old Guard Fife and Drum Corps. Mark’s questions and my answers follow. MR. Who was your first big inspiration and why? BB. I should say that my first teacher, James S…. Read more »
In August, 2020 I received a series of questions from percussionist Lan KaiPo regarding my piece Never in Word (1998). Below are Lan’s questions and my answers. LK. When notating percussion instruments that are transposed (bells and crotales) do you ever question whether you should write the actual sounding pitch instead of the traditional lower… Read more »
