We are delighted to announce that NEXUS member Garry Kvistad will be inducted into the Percussion Hall of Fame this autumn, along with Ndugu Chancler and Neil Peart. Garry joined Nexus Percussion in the Fall of 2002 and is one of 18 musicians to win a Grammy award for the 1998 recording of Steve Reich’s… Read more »
Posts Tagged: Garry Kvistad
Q: What’s the difference between trampolines and timpani?A: You don’t have to take your shoes off when you jump on timpani. Trampolines and timpani have a few things in common. They both have membranes, are fun to play on, and you can impress people of the opposite sex if you are good at either one…. Read more »
John Keiser presenting the award to Garry Woodstock Chimes was recently honored for its 40 years of success in the gift industry by the leading sales organization OneCoast. During their annual sales meeting in Atlanta, John Keiser, CEO of OneCoast, presented a beautiful glass sculpture / trophy to us. For our acceptance speech, we showed… Read more »
It’s Spring – and a LOT is happening. Russell Hartenberger has been at Virginia Tech workshopping his new piece “Magic Time” commissioned by Escape Ten. Tonight (May 4th) is the premiere. The duo is performing “Magic Time” on marimba with a quintet (the Virginia Tech Percussion Ensemble ) performing on tuned cymbals newly created for… Read more »
With the 21C Music Festival about to begin (January 16-20), we are so lucky to be based in Toronto where we can take in its awesome line-up featuring the great Terry Riley and our friends and fellow-percussionists, Sō Percussion.
Here in Canada, we celebrate Thanksgiving on Monday, October 8. What more fitting time to give a BIG THANK YOU to all of you who contributed to our Kickstarter Campaign for Drumming At 50. September was definitely exciting – if a bit nerve-wracking! We were fund-raising for our Video Recording with Sō Percussion and friends… Read more »
Epic. Exhilarating. Revolutionary. Iconic. Words that describe Steve Reich’s monumental DRUMMING. Russell Hartenberger had a thought. And now that thought has evolved into an exciting project, backed 100% by Steve Reich: We have joined with the wonderful Sō Percussion to create a videography of DRUMMING in celebration of the piece’s 50th Anniversary!
From Sept. 4 through 6, NEXUS will be kicking off Ithaca College’s school year with a series of exciting events. All PRESENTATIONS (INCLUDING THE Sept. 6th CONCERT) ARE FREE and OPEN TO THE PUBLIC as well as to the Ithaca students. We are thrilled that Gordon Stout, (marimbist, composer, and educator – lucky Ithaca College!),… Read more »
If you’ve followed us on Facebook, you’ll know it’s been a busy and varied summer. Bill has been involved in Eastman’s Summer Horizons with young music students in his wonderful program “Creative Music Making”. We will be presenting that program at Ithaca College in early September, so stay tuned, as it will be open to… Read more »
Thanks to Lauren Vogel Weiss for her article on our busy spring in the PAS Rhythm/Scene newsletter, June issue. She covered our performance with guest Frank Cassara with the Northern Dutchess Symphony Orchestra at the Culinary Institute of American under the baton of Kathleen Beckman; our Princeton University appearance with SōPercussion celebrating Steve Reich with… Read more »
The current (May 2018) issue of PERCUSSIVE NOTES offers a review of our newly released album entitled HOME. Josh Armstrong says, “although all the tracks are great, my favorite is the first track, on which [Michael] Burritt’s marimba playing along with NEXUS is so balanced and beautiful. NEXUS has shown us once again what great… Read more »
That’s what our 2-year-old grandson, Lucca, calls me. Lucca now has a baby sister, our second grandchild, Siena, who just came into the world. When our daughters were born back in the 1980s, everyone said, “Enjoy it while you can because they grow up so fast.” It is so true and I understand this fully… Read more »
Those were the words given to us by our “high school” orchestra conductor, Thor Johnson, when we were playing a difficult new work by a Japanese composer in the mid-1960s. If you say each word on four beats, fitting the syllables equally in each beat, it helps create a rhythm of 2 + 3 +… Read more »
We received a great review of our Maverick Hall concert, from the Boston Musical Intelligencer, “a virtual journal and essential blog of the classical music scene in greater Boston”. Here are a few excerpts from Leslie Gerber’s review: “These virtuosi handled the difficult score with confidence and verve…”