#NEXUSat50 1988-1989 EVERYBODY’S WRITING! In the midst of the heavy 1988 travel schedule we somehow found time to compose! Toronto concerts and a Stamford CT concert in 1988 saw premieres of new works, as did Merkin Concert Hall in New York City in 1989: “Lali-Pops” by Wyre (not related to the movie that was just… Read more »
#NEXUSat50 1991 ORIGINS We decided to release our Direct-to-Disc LP Ragtime Concert of 1976 on CD. It would still be a recording of a live performance in every meaning of the word. We also recorded ORIGINS in 1991 and, similar to the ragtime recording, the music on ORIGINS was recorded directly from the studio floor… Read more »
#NEXUSat50 1986 RARE INSTRUMENTS FOR GEORGE HAMILTON GREEN – with sound bytes: Between an Australian tour, Expo86 World Drums, Kennedy Center with Sharda Sahai (PASIC86) and a week-long tour of Tennessee, we found time to go into McClear Place in Toronto (photo attached) and record THE NOVELTY MUSIC OF GEORGE HAMILTON GREEN. Bob Becker says,… Read more »
#NEXUSat50 1986 WORLD DRUMS at EXPO 86 The seeds of John Wyre’s world drum dream had begun to sprout as early as 1961 during his 3-month tour with the Eastman Philharmonia. In 1984 NEXUS began working with John Cripton producer of the 1984 Toronto International Festival which included the 2-performance “Supercussion” featuring a mere 17… Read more »
#NEXUSat50 1982 KIDS CONCERTS Remember all those school concerts we mentioned in our 1982 UK tour? Here are two photos: NEXUS performing “Kobina”, one of our African-inspired pieces, at The Leadmill in Sheffield; and another shot of our appearance playing ragtime on the popular #BBC children’s show “BluePeter”. “Blue Peter” is still going strong, having… Read more »
In June 2016 NEXUS performed a concert in the lovely seaside town of Rockport, MA. On the morning of the event, as we were having breakfast, someone mentioned a duck race was in progress right there in Rockport. I was intrigued, and also disappointed that I didn’t know about it earlier, as I would have… Read more »
Facility on snare drum is at the foundation of much percussion playing in Western music, and young players often begin their percussion studies learning the rudiments of snare drum. When I taught percussion at the University of Toronto, I encouraged the first-year students to spend a large portion of their practice time on snare drum…. Read more »
We are excited to share with you a brand new website, www.DRUMMINGat50.com, that NEXUS has created in partnership with Sō Percussion, celebrating the 50th Anniversary of Steve Reich’s monumental work “Drumming”. Russell Hartenberger, Ray Dillard, and Alex Kessaris have been working for months to bring this to its fruition. A full performance of the piece,… Read more »
In October 2020 percussionist Jonny Smith asked me a series of questions regarding my experience with the music of Steve Reich, and my relationship with his ensemble. Jonny interviewed other members of Reich’s ensemble as well, and wrote a paper: “Relationship and Community in the Creative Process: The Steve Reich and Musicians Ensemble”, which is… Read more »
I was saddened to learn of the recent passing of pianist Chick Corea, a giant in the jazz world and a pioneer in the fusion of jazz, rock and world music. Few musicians can claim to have had such an impact on future generations of artists. Having known the vibraphonist Gary Burton since the early… Read more »
In January 2021 percussionist Antti Ohenoja asked if I would answer a series of questions about drum rudiments from members of the N.A.R.D. in Finland. The original National Association of Rudimental Drummers was organized in the United States in 1933, and was responsible for choosing the “thirteen essential rudiments” still taught and practiced today. I… Read more »
In February 2020, just before live concert music disappeared due to COVID, I was able to present two concerts of my vocal chamber music in Toronto. The first, on February 4th, was part of the Canadian Opera Company’s Vocal/Chamber Music Series in the Richard Bradshaw Amphitheatre; and the second, on February 6th, was included in… Read more »
In June, 2020 I received a series of questions from SGM Mark Reilly, rudimental champion, composer and Corps Sergeant Major of the U.S. Army Old Guard Fife and Drum Corps. Mark’s questions and my answers follow. MR. Who was your first big inspiration and why? BB. I should say that my first teacher, James S…. Read more »
In August, 2020 I received a series of questions from percussionist Lan KaiPo regarding my piece Never in Word (1998). Below are Lan’s questions and my answers. LK. When notating percussion instruments that are transposed (bells and crotales) do you ever question whether you should write the actual sounding pitch instead of the traditional lower… Read more »
I first met Ron Snider in the 1980s while touring with Steve Reich and Musicians and later while working with NEXUS Percussion. Besides being an amazing musician, a loving husband and father, an expert in world music and inventive designer and builder of musical instruments, Ron was a wonderful human being. His recent untimely passing… Read more »
