Genesee Symphony Orchestra conductor Raffaele Ponti (on the right) poses with two orchestra guests at the GSO’s season-opening October 24 concert. At left is composer Bill Cahn, whose piece, “Rosewood Dreaming,” was performed on the concert. Melzie Case (center) was the featured soloist, performing Cahn’s piece on marimba. She was the winner of the… Read more »
We have a guest blogger today. Craig is going to tell us about moving NEXUS around North America! Thanks, Craig, for this behind-the-scenes look! My name is Craig Snowden and since Autumn 2004 I have been working on the road with NEXUS. I have been asked to write a short blog about my experiences on… Read more »
Join us at Walter Hall in Toronto for the opening of the University of Toronto’s Faculty Artists Series featuring NEXUS and the piano duo 2 x 10 (Midori Koga and Lydia Wong). Also performing will be the University’s Women’s Chamber Choir and special guest, percussionist John Rudolph.
Garry recently posted on YouTube three excerpts from a concert called Super Percussion, presented as part of the Tokyo Music Joy festival in 1988. It was the fourth annual Music Joy festival, produced by Toru Takemitsu and Koinuma Music, and sponsored by the Seibu-Saison Group in Tokyo. The four-day festival was organized around a jazz… Read more »
NEXUS performs “Kpanlogo” at Tokyo Music Joy concert in 1988, with Abraham Adzenyah on congas, Steve Gadd on drumset and Samul Nori from Korea.
NEXUS performs Steve Gadd’s “Duke’s Lullaby” at Tokyo Music Joy concert in 1988, with Steve Gadd on drumset and Abraham Adzenyah on congas.
NEXUS performs Bob Becker’s “Palta” at Tokyo Music Joy concert in 1988, with Steve Gadd on drumset.
Here is a lovely review by Gene Tyranny that Bob Becker has discovered on the Midomi site (visit it here to read the original). The review is undated, but provides a most sensitive description of NEXUS’ signature work, Toru Takemitsu’s From me flows what you call Time… Performed by the percussion group Nexus, and the… Read more »
I’m home again after a 12-hour straight-shot drive from Pembroke, North Carolina that included about 20-minutes of dead-stop traffic on the Washington, D.C. Beltway during the 5:00 rush hour. I was at the University of North Carolina at Pembroke as a guest artist in residence at the invitation of Dr. Tracy Wiggins, the UNCP coordinator… Read more »
It’s 10/10/10 and I’m in Petersburg, Virginia. Today I’ll be driving to Pembroke, North Carolina for several days of workshops and performances at the University of North Carolina. Yesterday, I walked through the old town historic area of Petersburg, and though it was a beautiful sunny and mild Saturday, there were literally no people to be… Read more »
Creating, commissioning and developing repertoire is a huge part of NEXUS. New material is always in the works, written by all the NEXUS members, each of whom is a composer in his own right.
On April 1, 2010 I was able to spend a day at the Malletech Company facilities in Neptune, NJ. I had discussions with Leigh Stevens regarding the new Malletech rosewood snare drum stick line, and in particular the design for my signature model (these should be appearing soon). We also discussed some new publications, and… Read more »
On Thursday, October 7, after a 2-hour morning drive from Lexington, VA, I arrived at Longwood University in Farmville, VA and met with Chris Thomas, the percussion specialist on the faculty, who organized my visit in coordination with Lauren Weiss’s Percussion Events Registry Company with the support of Vic Firth, Inc. The agenda for my… Read more »
I believe this is my hundredth NEXUS blog post! Bob, Bill, Robin, Garry, Russell and Ray have also been posting, but this is Number One Hundred for me personally. We’ve covered a lot of ground together, haven’t we ?! Composers, film, organizations, sponsors, travels and sights, programming ideas, workshops, art, clinics, education, symposiums, concerts, sound… Read more »
The release of the terrific new Canadian Brass recording featuring NEXUS got me thinking about other collaborations that NEXUS has enjoyed over the years. Here is a particularly unusual one: In 1982, NEXUS created a three-volume set of recordings with Canadian poet out-of-print, but an article by Ted Shaw in the Windsor Star in October… Read more »
