Posts By: Bill Cahn

In the 1970s, as I was searching for recordings by George Hamilton Green, I discovered that in virtually every antique shop that had 78 rpm records on its shelves, I could find a few records on which either Green, or his brother Joe, or another xylophonist was playing. By the early 1980s, after rummaging through… Read more »

In early August I was, for the second time, able to “see the U.S.A in my Chevrolet,” (a phrase that is most meaningful to the first-generation of TV watchers from the 1950s/60s).  The first time was in 1999, when Ruth and I drove for three long days in our spanking-new Chevy Venture van filled with… Read more »

As indicated in earlier blog postings, I regularly receive questions about percussion performance and history through email.  Below are three such communications – Questions (Q) and my responses (A): Question about my ragtime xylophone arrangements Question about the clapper in “Rogosanti” by James Wood Question about a recording made by George Hamilton Green Question 1)… Read more »

In November 2015 thirteen boxes filled with an archive of about 1000 78-rpm disc records were delivered to the Center for Mallet Percussion Research at Kutztown (PA) University. The purpose was to establish a permanent residence for the archive and to make its contents accessible to anyone interested in pursuing research on the performers and… Read more »

Another instrument inquiry from my email basket: Question: “I’m curious as to how Humperdinck wrote the part [for cuckoo in his opera, ‘Hänsel und Gretel’] calling for this specific instrument, and having it in the percussion part? Was this a common instrument in Germany at the time? Or, [was it] having to do with silent… Read more »

A few weeks ago I received a question about my essay titled, “Orchestral percussion in the twenty-first century” in “The Cambridge Companion to Percussion” edited by Russell Hartenberger. Question: Are the bass drum descriptions of Turkish/Scottisch [bass drums] reversed on page 23 [of the Cambridge Companion]? My Response: This is an interesting question basically about… Read more »

A few months ago I received the following in an email: Question: I would like to make a castanet machine. I want to use it at schools (children 10-12 years) Can you tell me how to make it, like you did? My Response: I made my first castanet machine when I was in high school…. Read more »

  On November 2, 2016 we were surprised and delighted when Colin Currie, one of the world’s foremost percussion soloists, entered into the ROC Drummers’ rehearsal space at the David F. Gantt Community Center in Rochester, NY. Colin was in town for two performances as the featured soloist with the Rochester Philharmonic Orchestra in Jennifer… Read more »

As mentioned in previous blog postings, I regularly receive emails containing questions about percussion instruments, performance and pedagogy. One such question was emailed to me recently. Question: How would you start a beginning mallet student? What exercises and books that you would use to have the player develop a feel for the instrument? How would… Read more »

It was shocking to read in a FaceBook posting on July 29, 2016 that Peter Sadlo, one of the leading percussion soloists in Europe, had passed away. The circumstances of his passing remain unknown to me as of this writing. In 1992 when NEXUS first met Sadlo, he was the Principal Percussionist (Solopauker) with the… Read more »