Morton Feldman had this to say about Jo Kondo: “Jo Kondo…fell madly in love with the cowbells, and uses them very hauntingly and very rightly in his piece which gives the music a lot of distinction. I have no rapport with a cowbell so it’s very, very interesting.” In 1996 Robin Engelman made the acquaintance… Read more »
In 1989 Nexus was chosen to be a recipient of the prestigious Toronto Arts Award. It was an honour that included a cash bursary, as well as a professional photo shoot meant to provide high quality PR material for the group. The Arts Council selected Toronto photographer Doug Forster for the job, and he… Read more »
MORE ABOUT TALKING DRUMS First a quick flashback to 2008 – some more details about Russell Hartenbergers’s Talking Drum Symposim. He says, “I organized a “Talking Drum Symposium” which was sponsored by the Jackman Humanities Institute at the University of Toronto. The featured guests were John Miller Chernoff, author of “African Rhythm and African Sensibility,”… Read more »
In the early days of NEXUS many of our “instruments” were various found objects – things not originally designed to be used in musical contexts. At that time I particularly enjoyed browsing for unusual-sounding implements in hardware stores and kitchenware departments. During the 1970s many common household items were still manufactured using quite high-quality materials…. Read more »
In July, 2021 I received an additional series of questions from percussionist Lan KaiPo regarding my composition Never in Word, as well as some general questions about my compositional method. LKP is currently continuing research for his doctoral dissertation “An Analysis and Performance Guide of Bob Becker’s Never in Word” at James Madison University. His… Read more »
In October 2020 percussionist Jonny Smith asked me a series of questions regarding my experience with the music of Steve Reich, and my relationship with his ensemble. Jonny interviewed other members of Reich’s ensemble as well, and wrote a paper: “Relationship and Community in the Creative Process: The Steve Reich and Musicians Ensemble”, which is… Read more »
In January 2021 percussionist Antti Ohenoja asked if I would answer a series of questions about drum rudiments from members of the N.A.R.D. in Finland. The original National Association of Rudimental Drummers was organized in the United States in 1933, and was responsible for choosing the “thirteen essential rudiments” still taught and practiced today. I… Read more »
In June, 2020 I received a series of questions from SGM Mark Reilly, rudimental champion, composer and Corps Sergeant Major of the U.S. Army Old Guard Fife and Drum Corps. Mark’s questions and my answers follow. MR. Who was your first big inspiration and why? BB. I should say that my first teacher, James S…. Read more »
In August, 2020 I received a series of questions from percussionist Lan KaiPo regarding my piece Never in Word (1998). Below are Lan’s questions and my answers. LK. When notating percussion instruments that are transposed (bells and crotales) do you ever question whether you should write the actual sounding pitch instead of the traditional lower… Read more »
Tragedy. “A drama typically involving a person destined to experience downfall or destruction, as through a character flaw, or conflict with some overpowering force such as fate or an unyielding society.” Hubris. “An extreme and unreasonable feeling of self-confidence.” Posthumous. “Published after the death of the author.” In May of 2001 I began work on… Read more »
In September 2020 I was invited by British percussionist Jonathan Curtis to take part in his snare drum research project. Details about his work can be viewed HERE. Jonathan was particularly interested in some of the ideas in my book Rudimental Arithmetic, as well as more generally about composing music for solo snare drum…. Read more »
NEXUS with the TorQ Percussion Quartet with Special Guest vocalists Lindsay Kesselman and Cory Knight
In honour of Ellen Taaffe Zwilich birthday, here is an interview where she shares her thoughts on writing this concerto Rituals for NEXUS. Frank Oteri at New Music Box calls the interview Goose Bumps In The Candy Shop. Ellen has some intriguing comments about percussion instruments and their intrinsic nature: FJO: My favorite piece of… Read more »
Thanks to Lauren Vogel Weiss for her article on our busy spring in the PAS Rhythm/Scene newsletter, June issue. She covered our performance with guest Frank Cassara with the Northern Dutchess Symphony Orchestra at the Culinary Institute of American under the baton of Kathleen Beckman; our Princeton University appearance with SōPercussion celebrating Steve Reich with… Read more »
We received a great review of our Maverick Hall concert, from the Boston Musical Intelligencer, “a virtual journal and essential blog of the classical music scene in greater Boston”. Here are a few excerpts from Leslie Gerber’s review: “These virtuosi handled the difficult score with confidence and verve…”
